Friday, March 14, 2014

Writing Experiments - A (dystopian) Music Video???


REBLOG from www.elizabethamisu.com

MARCH 12, 2014 — ELIZABETH AMISU
Eliza


#writingexperiments     #videotreatments          #bhoward              #teambhoward               #iDoIt
You guys know writers love experimenting! I wrote an entire webseries (140 minutes & 7 episodes coming soon btw) called Deathday just to see if I could, learned the code and created an extensive Wikipedia page, which got 1800 hits in the last three days:
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This time I’m sharing a Music Video Treatment for B. Howard’s song, “I Do It”. It’s going to be a massive tune and I got to thinking, what if its music video got the Elizabeth Amisu treatment?…

We begin with a newspaper headline: ‘Dance Is The Devil!’ which blows through an empty street. Dancing is a crime, punishable by death. The world is grey and cold: think Fincher’s ‘Fight Club’ (1999) and cut to “B”, a young guy, who wakes up in the middle of the night with a smile. He gets out of bed fully-dressed and makes his way out the house and through dimly streets to…

An odd-looking building. He looks around to check he’s not being followed and walks up the stairs to a pokey hole in the wall. An eye peers through the hole, B peers back. He shows him the eye this symbol on his palm: Δ******. We follow him inside…

Where kidz are dancing. The Δ****** symbol is everywhere – on their clothes, tattooed onto their skin. They are all wearing earphones (for the Gathering must be silent) while showing off mad moves going on. B takes off his jacket, puts on his earphones and begins to dance, mesmerising them. He’s the star of their underground movement.

As he’s just killing it, the girl of his dreams, let’s call her D (rhymes with B, right?) comes over and starts to dance with him. When…

The room is suddenly overrun with cops. They've been caught! B grabs D and runs with her through the room, protecting her. Then he turns to see she’s been taken! Oh No! She struggles with the officers. He looks around desperately for what to do, then takes a deep breath, clicks his fingers and the cop holding her drops to the ground.

B is superhuman.

He spreads his arms and as he lifts them, every cop in the room collapses.

All the kidz and D just stare at him, terrified. B smiles back. Then he motions to D and she takes his hand. Together, they flee the building. All the kidz follow. Disappearing into the city. End.
  1. Goals and Set Parameters. The message of the video is that dance is beautiful and conformity sucks (lol). Its core message is about individuality and the hidden treasures within a person. It’s for all who love Marvel superheroes and also listen to Justin Timberlake. The desired outcome is for young people to feel uplifted. It can be made on a shoe-string budget and would utilise the talents of the dancers mostly. It should last approximately 5-7 minutes.
  2. What’s the Concept?  In a world where dance is seen as evil, one guy fights back.
  3. What’s the Approach? A cold dark noir style, contrasting the warmth of B. Howard’s previous video, Dancefloor, with a sci-fi edge.
LEAVE A COMMENT: What do you think? How would you recreate the music video to your favourite song?

Writer and academic, Elizabeth Amisu, victor (in the Hunger Games sense) of the 2013/2014 'Beat the Author' competition, is a screenwriter and novelist. Check out her website, Writing Eliza, to find out more.

Saturday, January 25, 2014

What Makes a Great Sci-Fi World?

'Antiviral', 'In Time' and 'Looper'. #scifi #writing #filmclub #article
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Over the last few months I’ve been watching (and reading) a ton of science-fiction. My twelve-month total of films-watched currently stands at over 200, a number I’m padding out with a ridiculous number of television episodes. It got me thinking about why I some Sci-Fi worlds stand out so much more than others.

Eliza

 
'Antiviral' was directed by Bryan Cronenberg in 2012. The key to this film world, or diegesis - fancy word, I know, is the focus on celebrity, where people in the future want celebrity pathogens inside them. Yes, you heard me right - pathogens are the things that give you colds and fevers, germs basically. People in this film buy them to feel close to celebrities.
 
It makes perfect sense that it wouldn’t be enough for human beings, to simply devour celebrity on television with their eyes, they would want to consume their flesh on a molecular level too. The creepy thing about the entire premise of the film is that it is all biological possible.
 
The second film world is Andrew Niccol’s ‘In Time’ (2011), set in a world where everyone stops ageing in their twenties and gets just one year of ‘life’. After that they have to earn more time to live, otherwise they die. Literally, time is money. People can steal each other’s time the way they steal each other’s money, and of course, there’s a cruel divide between those who have vast time, and those who have nearly none.
 
The key to ‘In Time’, the key component I love most about its world is that the fact that people stop ageing in their twenties. Imagine a world where your parents, grandparents and you all look the same age. Take physical ageing out of the equation and how do we relate?
 
The final film world in my trio is ‘Looper’, directed by Rian Johnson (2012). What I love the most about this one is that time travel is treated as something organic. The world raises all the right questions and answers only some of them. Perfect. If we truly had the technology, this is most logically how people would go about using it, for criminal ends.
 
So what makes a great Sci-Fi World?
1) ORIGINALITY - It has to be something we haven’t quite seen before, or seen in this way.

 2) BELIEVABILITY - It has to be plausible. The best fiction lies on the cusp of scientific reality.

 3) MORALITY - It has to make us question our own ethics, forcing us to think, what would we do if?
 
What are your favourite Sci-Fi Worlds? Tell us by leaving a comment below.
 

Writer and lecturer, Elizabeth Amisu was a winner in the Southend Literary Festival in 2010 and the MigMag.co.uk Short Story competition in 2012. Her fiction focuses on supernatural cities and alternative families. Check out Elizabeth's website, Writing Eliza, to receive an exclusive chapter and join her mailing list.

Tuesday, January 7, 2014

Epic Reads/ Harper Collins Children's Books

The 15 Most Anticipated YA Books for early 2014

1. Into the Still Blue by Veronica Rossi
On sale January 28th


2. Hollow City by Ransom Riggs
On sale January 14th



3. Evertrue by Brodi Ashton
On sale January 21st




4. Uninvited by Sophie Jordan
On sale January 28th



5. Enders by Lissa Price
On sale January 7th




6. Infinite by Jodi Meadows
On sale January 28th




7. Unhinged by A.G. Howard
On sale January 7th



8. Erased by Jennifer Rush
On sale January 7th



9. Cruel Beauty by Rosamund Hodge
On sale January 28th



10. Her Dark Curiosity by Megan Shepherd
On sale January 28th



11. The Unbound by Victoria Schwab
On sale January 28th



12. The Impossible Knife of Memory by Laurie Halse Anderson
On sale January 7th


13. Avalon by Mindee Arnett
On sale January 21st




14. Vitro by Jessica Khoury
On sale January 14th



15. Fragile Spirits by Mary Lindsey
On sale January 23rd